When does war actually end? Chronologies usually provide finite dates marking the beginning and end of any given war. The Vietnam War (or Second Indochina War) has conventionally been bracketed by the partition of North and South Vietnam in 1954 and the withdrawal of American forces and the “fall of Saigon” in 1975. However, Critical Refugee Studies scholar Yen Le Espiritu argues that the Vietnam War requires critically interrogating “the endings that are not over.”
This exhibition grapples with the reverberations of the Vietnam War across time and space. It showcases refugee artwork produced in Southeast Asian camps of first asylum and centers on the inner lives and experiences of individuals whose lives have been upended by war. The artists make meaning out of dire conditions and demonstrate how an official end-date to war may obscure the ongoing conflicts endured by so many.
All artworks in the exhibit are from Véronique Saunier's “Still Lives” Collection. The collection was acquired by the UC Irvine Libraries in 2014 from Véronique Saunier, a freelance journalist who met the artists while volunteering in the refugee camps in Hong Kong. She organized an exhibition in 1990 at the Hong Kong Art Centre called “Still Lives: Art by Vietnamese Boat People in Hong Kong” to raise international awareness about the people whose lives were placed on hold in the camps, but who yet remained alive and living.
In this exhibition, "Southeast Asian" refers specifically to the populations from Cambodia, Laos, and Vietnam—countries that made up the former French Indochina and whose peoples were displaced by the Vietnam War.
"Camps of first asylum" refers to the places where refugees initially arrived and were processed for potential resettlement.
“Boat people” was the term used by the news media and in government and scholarly publications to refer to people who escaped their countries by boat following the Vietnam War.