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Image / Osono attacking Keyamura Rokusuke, a retainer of Toyotomi Hideyoshi, thinking

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Title
Osono attacking Keyamura Rokusuke, a retainer of Toyotomi Hideyoshi, thinking
Twenty-four Accomplishments in Imperial Japan
Alternative Title
Kokoku mijushiko: Keyamura no Norokusuke
Creator
Yoshitoshi, Tsukioka
Date Created and/or Issued
1887
Publication Information
Tsuda Genshichi
Ruth Chandler Williamson Gallery, Scripps College
Contributing Institution
Claremont Colleges Library
Collection
Chikanobu and Yoshitoshi Woodblock Prints
Rights Information
The contents of this item, including all images and text, are for personal, educational, and non-commercial use only. The contents of this item may not be reproduced in any form without the express permission of Scripps College. Any form of image reproduction, transmission, display, or storage in any retrieval system is prohibited without the written consent of Scripps College and other copyright holders. Scripps College retains all rights, including copyright, in data, images, documentation, text and other information contained in these files. For permissions, please contact: Scripps College, Ruth Chandler Williamson Gallery Attn: Rights and Reproductions, 1030 Columbia Avenue, Claremont, CA 91711
Description
In the kabuki play "Hikosan Gongen Chikai no Sukedachi," Kyôgoku no Takumi kills his master Yoshioka Ichimisai and his master's daughter Okiku. His daughter Osono searches for her father's killer, but he has changed his name and gone into hiding. She is also searching for her sister's young son Yasomatsu, who disappeared at the time of the murder. Rokusuke, a former rival of the killer Kyôgoku no Takumi, lives quietly in the countryside as a farmer. He found the child Yasomatsu at the scene of Ichimisai's murder, but has no idea that this is the grandson of his former teacher. He hangs the boy's kimono outside his house hoping that the boy's family will see it. Osono, disguised as a traveling priest, sees the kimono and attacks Rokusuke, whom she thinks killed her father. The print depicts this moment: he raises one arm to fend off her attack; with the other he holds the boy Yasomatsu to his chest. A folding screen is knocked askew as he evades her assault; in the background a kettle hangs over a fire pit and a sword rack holding bamboo practice swords (shinai) hangs on the wall. Upon learning Osono's name, Rokusuke tells her he knows the true killer of her father, and that the boy he holds in his arms is in fact her nephew, whom he had found abandoned. (http://www.kabuki21.com/keyamura.php)
Type
image
Identifier
93.6.19.tif
http://ccdl.claremont.edu/cdm/ref/collection/cyw/id/395
Language
Japanese
Subject
Women
Men (male humans)
Kimonos
Children (people by age group)
Trees
Interior spaces
Fusuma
Kettles (vessels)
Ukiyo-e
Print
Time Period
Meiji (Japan, 1869-1912)
Source
Wood-block Printing; Ink on Paper; 12 15/16 in. x 8 7/8 in. (328.61 mm x 225.43 mm)

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