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Image / Kabuki theater print: Our country's 24 examples of filial piety

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Title
Kabuki theater print: Our country's 24 examples of filial piety
Creator
Chikanobu, Yoshu
Date Created and/or Issued
1882-10
Publication Information
Ruth Chandler Williamson Gallery, Scripps College
Contributing Institution
Claremont Colleges Library
Collection
Chikanobu and Yoshitoshi Woodblock Prints
Rights Information
The contents of this item, including all images and text, are for personal, educational, and non-commercial use only. The contents of this item may not be reproduced in any form without the express permission of Scripps College. Any form of image reproduction, transmission, display, or storage in any retrieval system is prohibited without the written consent of Scripps College and other copyright holders. Scripps College retains all rights, including copyright, in data, images, documentation, text and other information contained in these files. For permissions, please contact: Scripps College, Ruth Chandler Williamson Gallery Attn: Rights and Reproductions, 1030 Columbia Avenue, Claremont, CA 91711
Description
Four of the great Meiji Period kabuki actors are represented in this triptych. Nakamura Shikan IV (1830-1899) in the role of Takeda Shingen (1521-1573) is at far right, next to Ichikawa Danjuro IX (1839-1903) playing the part of Rakuganji Umanosuke. At center encountering an angry monkey is Onoe Kikugoro V (1844-1903) as Yamamoto Kansuke (died 1561). At left is Ichikawa Sadanji I (1842-1904) in the role of Onikoshima Yataro. Such a gathering of stars suggests this print celebrates a kaomise when actors "show their faces" in a specially prepared skit, probably taken from the longer play Honcho nijushiko which detailed the rivalries between the Takeda and Uesugi samurai families in the 16th century. The historical drama Honcho nijushiko was first written for puppets in 1766 and later became the source for numerous kabuki theater versions, exploring family feuds between the Takeda and Nagai (stage version of the Uesugi) clans. Added to this are other family stories, including that of Yamamoto Kansuke, shown here, who was a brilliant military strategist. Both the Takeda and Nagai clans sought Kansuke's services, and access to his secret book of military tactics. At the Battle of Kawanakashima in 1561, one of the bloodiest battles in Japanese history, Kansuke advised Shingen to position his troops in the dead of night in front of and behind the enemy. However, their opponents saw what was happening and were prepared, launching wave upon wave of troops against the Takeda forces. The 70 year old Kansuke knew his plan had failed and decided to die with heroically, charging alone into enemy lines where he was wounded and then committing stomach cutting / hara-kiri suicide. This print appears to show the meeting of Kansuke and Shingen to plan the nighttime attack. The dragon painted on the screen behind Kansuke emphasizes his extraordinary powers as a military strategist. The original text for Honcho nijushiko had 5 acts, of which only 2 have survived, so the exact purpose of the monkey is uncertain, but monkeys were often regarded as messengers of the gods, so some supernatural communications might be happening here. The actor playing Kansuke is Kikugoro V, whose symbol was the chrysanthemum flower, woven into Kansuke's jacket.
Type
image
Format
image/jp2
Identifier
http://ccdl.claremont.edu/cdm/ref/collection/cyw/id/37
Language
Japanese
Subject
Men (male humans)
Actors
Kimonos
Hats
Hairstyles
Swords
Fans (costume accessories)
Screens (furniture)
Dragons
Monkeys
Ukiyo-e
Print
Time Period
Meiji (Japan, 1869-1912)
Source
Woodcuts; Ink on Paper; 14 1/2 in. x 28 3/4 in. (36.9 cm x 73 cm); accession number 2004.1.3
Relation
Chikanobu and Yoshitoshi Woodblock Prints https://ccdl.claremont.edu/digital/collection/cyw

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