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Image / Wife of Kajiwara Kagesue

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Title
Wife of Kajiwara Kagesue
Alternative Title
Stories of famous Japanese women; Nihon meijo banashi: Kajiwara Kagesue no tsuma
Creator
Chikanobu, Yoshu
Date Created and/or Issued
1894
Publication Information
Ruth Chandler Williamson Gallery, Scripps College
Contributing Institution
Claremont Colleges Library
Collection
Chikanobu and Yoshitoshi Woodblock Prints
Rights Information
The contents of this item, including all images and text, are for personal, educational, and non-commercial use only. The contents of this item may not be reproduced in any form without the express permission of Scripps College. Any form of image reproduction, transmission, display, or storage in any retrieval system is prohibited without the written consent of Scripps College and other copyright holders. Scripps College retains all rights, including copyright, in data, images, documentation, text and other information contained in these files. For permissions, please contact: Scripps College, Ruth Chandler Williamson Gallery Attn: Rights and Reproductions, 1030 Columbia Avenue, Claremont, CA 91711
Description
Two married women and a young girl are shown leaving a gated compound, and the text panel indicates that one is the wife of the warrior Kajiwara Kagesue (1162-1200) who has taken a branch of cherry blossoms. At right is a young messenger boy bringing a poem sheet / tanzaku from the shogun Minamoto Yoritomo (1148-1199), who is seated on the verandah with two ladies in waiting and a sword bearer. Yoritomo leans forward on his arm rest, obviously intent on seeing the response to his note: Having broken off cherry blossoms, leaving none, again this spring what should one look at? Her reply: Not waiting for one’s breath to return in this world, again this spring’s desires. Yoritomo seems to be flirting, but despite the danger of turning him down, she continues on her way and remains faithful to her husband. Kagesue was a Taira warrior but at the Battle of Ishibashi yama he changed to the Genji side, rescuing Yoritomo by lying. Kagesue thus became one of Yoritomo’s close retainers and distinguished himself many times under Yoshitsune’s command, particularly at the Battles of Uji Bridge and Ichi no tani in 1184. When Yoritomo suspected his brother Yoshitsune of trying to gain personal power, Kagesue again showed his allegiance to Yoritomo by turning against his commander Yoshitsune. In the kabuki theater traditiona, Kagesue is often portrayed as an unsavory treacherous character, willing to switch sides for personal gain in political struggles.
Type
image
Format
image/jp2
Identifier
http://ccdl.claremont.edu/cdm/ref/collection/cyw/id/268
Language
Japanese
Subject
Women
Kimonos
Children (people by age group)
Porches
Men (male humans)
Single Built Works
Blinds (coverings)
Swords
Ukiyo-e
Print
Time Period
Meiji (Japan, 1869-1912)
Source
Woodcuts; Ink on Paper; 14 5/8 in. x 19 1/8 in. (37.15 cm x 48.58 cm); accession number 2004.1.39
Relation
Chikanobu and Yoshitoshi Woodblock Prints https://ccdl.claremont.edu/digital/collection/cyw

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