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Title
Shun
Alternative Title
Juxtaposed pictures of 24 paragons of filial piety; Nijushi ko mitate e- awase: Shun
Creator
Chikanobu, Yoshu
Date Created and/or Issued
1890-06-01
Publication Information
Hasegawa Hisaharu
Ruth Chandler Williamson Gallery, Scripps College
Contributing Institution
Claremont Colleges Library
Collection
Chikanobu and Yoshitoshi Woodblock Prints
Rights Information
The contents of this item, including all images and text, are for personal, educational, and non-commercial use only. The contents of this item may not be reproduced in any form without the express permission of Scripps College. Any form of image reproduction, transmission, display, or storage in any retrieval system is prohibited without the written consent of Scripps College and other copyright holders. Scripps College retains all rights, including copyright, in data, images, documentation, text and other information contained in these files. For permissions, please contact: Scripps College, Ruth Chandler Williamson Gallery Attn: Rights and Reproductions, 1030 Columbia Avenue, Claremont, CA 91711
Description
The upper panel shows the Chinese boy Shun with a hoe and the main image has a Japanese woman with a hoe. According to the Guo Jujing story, Shun was so diligent in plowing his parents' field, even though they were cruel to him, that elephants came down from the mountains to help him dig up the soil and birds flew in to help him weed the field. Emperor Yao was so impressed that he sent nine royal princes to help Shun farm and two princesses to be Shun's wives; later Emperor Yao retired, turning over the throne to Shun. Chikanobu juxtaposed this Chinese story with a depiction of a Japanese farm woman resting below a blossoming cherry tree. She looks out across the stream and sees 2 small sparrows flying toward her. Perhaps she is recalling how Shun was rewarded for his labor and hopes to be compensated herself. Chikanobu does not include elephants or mountains in the lower picture, making the scene more particularly Japanese in location with the gentle landscape and flowering branches The political overtones of the Chinese narrative are also missing - this woman will not become an empress. However, her honest labor should be appreciated by the viewer, who might assume she is motivated by filial devotion to some undepicted parents.
Type
image
Format
image/jp2
Identifier
98.4.13.tif
http://ccdl.claremont.edu/cdm/ref/collection/cyw/id/115
Language
Japanese
Subject
Men (male humans)
Women
Mountains
Trees
Kimonos
Elephants
Birds
Ukiyo-e
Print
Time Period
Meiji (Japan, 1869-1912)
Source
Woodcuts; Ink on Paper; 14 in. x 9 3/8 in. (35.56 cm x 23.81 cm); accession number 98.4.13
Relation
Chikanobu and Yoshitoshi Woodblock Prints https://ccdl.claremont.edu/digital/collection/cyw

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