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Image / The ferocity of Tametomo driving away the smallpox demons

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Title
The ferocity of Tametomo driving away the smallpox demons
New Forms of Thirty-six Ghosts
Alternative Title
Shingata sanjurokkaisen: Tametomo no bui tokijin o shirizoku zu
Creator
Yoshitoshi, Tsukioka
Date Created and/or Issued
1890
Publication Information
Sasaki Seikichi
Ruth Chandler Williamson Gallery, Scripps College
Contributing Institution
Claremont Colleges Library
Collection
Chikanobu and Yoshitoshi Woodblock Prints
Rights Information
The contents of this item, including all images and text, are for personal, educational, and non-commercial use only. The contents of this item may not be reproduced in any form without the express permission of Scripps College. Any form of image reproduction, transmission, display, or storage in any retrieval system is prohibited without the written consent of Scripps College and other copyright holders. Scripps College retains all rights, including copyright, in data, images, documentation, text and other information contained in these files. For permissions, please contact: Scripps College, Ruth Chandler Williamson Gallery Attn: Rights and Reproductions, 1030 Columbia Avenue, Claremont, CA 91711
Description
An image of a warrior with sword and bow and arrows in the foreground, looking back at human/demon forms dancing in the background. Minamoto no Tametomo was, like Oniwaka/Benkei (7), an extremely violent youth. By the time he was fifteen he is reputed to have been over seven feet tall. His left arm was four inches longer than his right, which meant he could bend his bow much further than other archers. This bow was eight feet long, and it took three ordinary men to bend it; his arrows were five feet long, their iron points as heavy as spearheads. At the age of thirteen Tametomo became involved in an argument over archery with the emperor's advisor Michinori. He offered to prove his point by catching any arrows shot at him. (He also tossed off a Chinese text or two to show that his education extended beyond the martial arts.) He proceeded to catch everything shot at him, ending by simultaneously seizing an arrow under one arm and another in his teeth. He then attacked Michinori and would have killed him if his father had not dragged him away. For this disturbance he was exiled to one of the Kyushu islands - which he promptly proceeded to subjugate. Returning to the capital he became involved in the confused Hogen wars, in which different factions of the Minamoto and the Taira families were pitted against each other. It was said at this time that Tametomo was the only man of whom proud Taira no Kiyomori (22) was ever afraid. Tametomo found himself on the losing side and after many adventures was exiled to Oshima Island. The tendons of his left arm were severed in a vain attempt to tame him; within fifty days they had healed, and he was as strong as ever. Again Tametomo subjugated an island without an imperial mandate. The emperor sent twenty war vessels to seize and punish him. Tametomo caved in the side of the first boat with a single arrow, drowning many of the three hundred men it carried. The odds against him were too great, however; after killing his young son he set his house on fire and committed seppuku within the burning structure. This is the first recorded instance of this peculiarly painful form of suicide. The year was 1170 and Tametomo was thirty-one. The late-Edo novelist Bakin continued the story in his Yumihari Tsuki, in which Tamemoto was made to escape to Okinawa. He became the island's ruler, almost a demigod to his subjects. When the demons that cause smallpox threatened, he persuaded them to leave by explaining that the islanders were good, worthy folk. The episode is a minor one in Bakin's novel, but that demons heeded him does exemplify Tametomo's force of character. In the print we see Tametomo standing proudly, a talisman at his feet, scaring off the smallpox demons with his imposing stance. He grips a massive bow and wears a breastplate decorated with his emblem, the lion. His armor is a specially made copy of an ancestral suit which was too small for him, bound together with thongs ""made from the knees of a thousand bulls."" As with many of his fiercer heroes, Yoshitoshi gives Tametomo a beard and a thick head of hair. Stevenson, John. Thirty-Six Ghosts. Hong Kong: Blue Tiger Books, 1992.
Type
image
Format
image/jp2
Identifier
93.3.36.tif
http://ccdl.claremont.edu/cdm/ref/collection/cyw/id/317
Language
Japanese
Subject
Mystical/Alchemical
Ukiyo-e
Print
Time Period
Meiji (Japan, 1869-1912)
Source
Wood-block Print; Ink on Paper; 14 1/8 in. x 9 1/2 in. (358.78 mm x 241.3 mm)
Relation
Chikanobu and Yoshitoshi Woodblock Prints - https://ccdl.claremont.edu/digital/collection/cyw

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