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Text / Shakespeare, The Fourth Folio, 1685

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Title
Shakespeare, The Fourth Folio, 1685
Creator
Shakespeare, William, 1564-1616
Herringman, Henry, -1704
Brewster, Edward, active 1654-1699
Bentley, Richard, -1697
Ege, Otto F
Date Created and/or Issued
2019-06-07T03:11:32Z
Contributing Institution
Loyola Marymount University, Department of Archives and Special Collections, William H. Hannon Library
Collection
Early Manuscripts and Printed Book Leaves Collection
Rights Information
Materials in the Department of Archives and Special Collections may be subject to copyright. Unless explicitly stated otherwise, Loyola Marymount University does not claim ownership of the copyright of any materials in its collections. Please refer to: https://library.lmu.edu/archivesandspecialcollections/copyrightandreproductionpolicy/
Description
Caption: "Shakespeare, The Fourth Folio, 'And art alive still, while thy Booke doth liue' - Ben Jonson, printed by H. Herringman, E. Brewster, and R. Bentley, London, 1685. In terse, restrained language, Sir Sidney Lee, in his life of Shakespeare, gives us a fine example of criticism when he writes, 'In knowledge of human character, in wealth of humor, in depth of passion, in fertility of fancy and in soundness of judgment he has no rival . . . To Shakespeare the intellect of the world, speaking in diverse accents, applies with one accord his own words: 'How noble in reason! how infinite in faculty! in apprehension how like a god'.' The First Folio, printed in 1623, contained not only all the works previously printed, but also seventeen others, 'all true to original copies,' which no doubt means the manuscript copies in the possession of the company of players to which Shakespeare belonged. These were edited and seen through the press by his fellow actors and friends, John Heminge and Henry Condell, ‘without ambition either of selfe-profit or fame.’ In an epistle To the Great Variety of Readers, regarding Shakespeare manuscripts, these men say, ‘His mind and hand went together; and what he thought, he uttered with that easiness, that we haue scarce receiued from him a blot in his papers.’ The Second Folio appeared in 1632, the Third Folio, many of which were lost in the great London fire, in 1664. The Fourth Folio, the last, was printed in 1685. In each reprinting, more typographical errors or ‘corrections’ crept in, due to careless proofreading or ignorant actors in their attempt to modernize the lines. Herringman’s shop, ‘The sign of the Blue Anchor,’ was one of the chief lounging places for the literary lights of Restoration London. The paper used for the Folio was the best crown paper available, much better than that used for the printing of Bibles in those days.”
Type
text
Identifier
60c7e3c5-7a30-4cd6-92f6-db75f1d0a019
https://digitalcollections.lmu.edu/documents/detail/12373
https://images.quartexcollections.com/lmudigitalcollections/thumbnails/preview/60c7e3c5-7a30-4cd6-92f6-db75f1d0a019
Language
English
Subject
Shakespeare folios
English literature--Early modern, 1500-1700
Printing--England--History--17th century
Early printed books--Specimens
Printing--Specimens
Place
London (England)
Source
Department of Archives and Special Collections, William H. Hannon Library, Loyola Marymount University
Relation
Original leaves from famous books : eight centuries, 1240 A.D.-1923 A.D / Annotated by Otto F. Ege; Z250 .E4

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