UC Berkeley, Berkeley Art Museum and Pacific Film Archive > Art Collection Highlights - Images and Ideas: The Collection in Focus at the Berkeley Art Museum, University of California > Ecce Homo (Behold the Man)

Image / Ecce Homo (Behold the Man)

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Title
Ecce Homo (Behold the Man)
Creator
Artist unknown--Flanders, late 15th century
Date Created and/or Issued
undated
Publication Information
Berkeley Art Museum/Pacific Film Archive
Contributing Institution
UC Berkeley, Berkeley Art Museum and Pacific Film Archive
Collection
Art Collection Highlights - Images and Ideas: The Collection in Focus at the Berkeley Art Museum, University of California
Rights Information
Please contact the contributing institution for more information regarding the copyright status of this object.
Description
This remarkable tapestry retraces all the episodes of the Passion-the sufferings of Christ between the night of the Last Supper and his death.
The title of the work comes from the Latin version of the Gospel of St. John (XIX, 5): "Then came Jesus forth, wearing the crown of thorns and the purple robe; Pilate saith unto them: Behold the man." Christ's presentation to the people forms the central episode of the tapestry.
The tapestry itself has an important lineage. It was commissioned as part of a cycle for the chapel and organ room at Knole, the extraordinary house built in 1457 by the then-Archbishop of Canterbury in Kent, England. As archbishop, Thomas Cranmer surrendered the house and its contents to the British crown in 1537. Elizabeth I then made a gift of it to Thomas Sackville, in whose family the tapestry remained until it was purchased by J. Pierpont Morgan in 1911. Morgan sold the tapestry to William Randolph Hearst in 1923, whose family ultimately donated it to the Berkeley campus.
Type
image
Format
Wool tapestry
Identifier
http://ark.cdlib.org/ark:/13030/ft4580058z
1957.1

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