Text / Ping: Score: Mock-up page

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Title: Ping: Score: Mock-up page
Creator: Reynolds, Roger, 1934-
Date Created and/or Issued: 1968
Contributing Institution: UC San Diego, The UC San Diego Library
Collection: Roger Reynolds Ping Collection
Rights Information: Under copyright
Constraint(s) on Use: This work is protected by the U.S. Copyright Law (Title 17, U.S.C.). Use of this work beyond that allowed by "fair use" requires written permission of the UC Regents. Responsibility for obtaining permissions and any use and distribution of this work rests exclusively with the user and not the UC San Diego Library. Inquiries can be made to the UC San Diego Library program having custody of the work.
Use: This work is available from the UC San Diego Library. This digital copy of the work is intended to support research, teaching, and private study.
Rights Holder and Contact: Reynolds, Roger, 1934-
Description: Performing Arts (including Performance Art)
Film, Audio, Video and Digital Art
In preparing for presentation of this work in the form of an explanatory score, I pasted text fragments such as this into a viable montage that allowed for page design. The score for Ping involved not only the necessary representation to the performers of sound events, time and relationships, but also an explanation of the entire context within which a performance was supposed to occur. In many inter-medisa works, the creators simply (?) guided events in performance by word of mouth and example. I tried, in contrast, to actually create a "socre document" that would allow potential performers to grasp not only the aesthetic ends, and performance practice involved, but the overall logistical context. Ping is in three sections, identified as A, B, and C. Particular conditions shape the musical materials used in each section as well as the electroacoustic sounds (and their modification) and text projections (and their modifications). The performing musicians included a flutist, a pianist, and a percussionist who performed on harmonium, bowed cymbal and bowed tam tam. The tam tam and cymbal could produce specific pitches discovered in pre-rehearsal explorations by the percussionist. The flutist used certain non-standard multiphonics, and the pianist frequently addressed the strings of the piano directly rather than through the keyboard alone. The complete Beckket text from his short story, Ping", was projected by means of a set of slides designed by Karen Reynolds. These slides were presented from alternating left-right projectors. Two other operators controled the use of optical prisms, and gradated color filters in order to fragment, disperse, and blur, artistically, the texts wheich were projected white letters in a black field (and were therefore open to color modification.)
UC San Diego Library, UC San Diego, La Jolla, CA 92093-0175 (https://library.ucsd.edu/dc/contact)
Based on: Beckett, Samuel, 1906-1989. Ping
Type: text
Form/Genre: Scores
Identifier: ark:/20775/bb0206304c
Language: English
Subject: Multimedia works
Scores

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