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Description
Photographs Sculpture and Installations For inSITE97, Rebecca Belmore created a large-scale photographic work installed on the abandoned marquee of the historic Casino Theatre in downtown San Diego. "Awasinake (on the Other Side)/Awasinake (en el otro lado)" was based on the ritual of waiting to cross the border from Mexico to the US. Belmore wanted the photographs of indigenous women waiting at the border fence in Tijuana to reflect the mood of the dilapidated Casino Theatre itself, waiting to be reclaimed and refurbished by the city. The size and elongated format of the portraits evoked the feel of an epic narrative unfolding before the viewer. --inSITE97 Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) This image is a scan of a 35mm color slide from the InSite Archive (MSS 707, Box 309, Folder 02, Item 044) [Title, Date]. InSite Archive. MSS 707. Special Collections & Archives, UC San Diego.
Type
image
Format
Photographs
Form/Genre
public art sculpture (visual work) installations (visual works)
Identifier
ark:/20775/bb2562728g
Language
No linguistic content
Subject
Façades Portraits Border art Marquees Political art Refurbishment Renovation Feminism Boundaries Evening Public art Sculpture (visual work) Installations (visual works) Mexican-American border region InSITE97
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