Text / Ping: Score: Mock up; page

Read item on contributor's website.

Get Citation

Have a question about this item?

Contact Owner

Item information. View source record on contributor's website.

Title: Ping: Score: Mock up; page
Creator: Reynolds, Roger, 1934-
Date Created and/or Issued: 1968
Contributing Institution: UC San Diego, The UC San Diego Library
Collection: Roger Reynolds Ping Collection
Rights Information: Under copyright
Constraint(s) on Use: This work is protected by the U.S. Copyright Law (Title 17, U.S.C.). Use of this work beyond that allowed by "fair use" requires written permission of the UC Regents. Responsibility for obtaining permissions and any use and distribution of this work rests exclusively with the user and not the UC San Diego Library. Inquiries can be made to the UC San Diego Library program having custody of the work.
Use: This work is available from the UC San Diego Library. This digital copy of the work is intended to support research, teaching, and private study.
Rights Holder and Contact: Reynolds, Roger, 1934-
Description: Film, Audio, Video and Digital Art
Performing Arts (including Performance Art)
Because Ping, as a multimedia work, was, at the time of its composition, a fairly unique creative effort, there were really no models readily available for how such a piece could be represented to performers. I took the approach that the "score" should ideally make the work available to performers anywhere without the necessity of my presence. This meant that not only the details of the musical events and their overall structure needed to be made clear, but also the entire logistical structure, from the performance paraphernalia and sonic and visual materials needed, to the ways in which they were to be treated/managed, and the ways in which - in a performance space - all of this was to come together in a coordinated way. The logistics of planning for such a total presentation turned out to be complex and involved a lot of trial and error. As everything then was done with a typewriter, blocks of text had to be proposed in some proportional way, and they typed in blocks of the appropriate sort to fit the page design. So there were several stages: 1) determine what it was that needed to be stated or portrayed, and whether it was best presented as text, as diagram, or as photo, or some combination of these three, 2) There had to be a "sketching" period whereby the optimal way of saying whatever was needed (or indicating it through other nom-textuall means) was determined, 3) Then there was an actual "paste-up", where small blocks of paper bearing the appropriate materials were glued to a master sheet so as to create the desired larger page image. Two differing presentations of the totality of Ping and its materials were attempted. One was for including in a "Newsletter" report distributed by the Institute of Current World Affairs, which had sponsored Karen and my residence in Japan from 1966-69, and the other was as a "stand alone" score. This score was subsequently reproduced in Score Magazine source #6 – July 1969 (published in association with the UC Davis campus, and overseen by then Professor Larry Austin, and his colleague Stanley Lunetta).
UC San Diego Library, UC San Diego, La Jolla, CA 92093-0175 (https://library.ucsd.edu/dc/contact)
Based on: Beckett, Samuel, 1906-1989. Ping
Type: text
Form/Genre: Scores
Identifier: ark:/20775/bb4301900h
Language: English
Subject: Multimedia works
Scores

About the collections in Calisphere

Learn more about the collections in Calisphere. View our statement on digital primary resources.

Copyright, permissions, and use

If you're wondering about permissions and what you can do with this item, a good starting point is the "rights information" on this page. See our terms of use for more tips.

Share your story

Has Calisphere helped you advance your research, complete a project, or find something meaningful? We'd love to hear about it; please send us a message.