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Image / One hundred aspects of the moon: no. 25, gravemarker moon with Ono …

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Title
One hundred aspects of the moon: no. 25, gravemarker moon with Ono no Komachi
One Hundred Aspects of the Moon
Alternative Title
Tsuki hyakushi: Sotoba no tsuki
Creator
Yoshitoshi, Tsukioka
Date Created and/or Issued
1886
Publication Information
Akiyama Buemon
Ruth Chandler Williamson Gallery, Scripps College
Contributing Institution
Claremont Colleges Library
Collection
Chikanobu and Yoshitoshi Woodblock Prints
Rights Information
The contents of this item, including all images and text, are for personal, educational, and non-commercial use only. The contents of this item may not be reproduced in any form without the express permission of Scripps College. Any form of image reproduction, transmission, display, or storage in any retrieval system is prohibited without the written consent of Scripps College and other copyright holders. Scripps College retains all rights, including copyright, in data, images, documentation, text and other information contained in these files. For permissions, please contact: Scripps College, Ruth Chandler Williamson Gallery Attn: Rights and Reproductions, 1030 Columbia Avenue, Claremont, CA 91711
Description
Beneath drying autumn grasses, the aged Komachi sits gazing at the moon. Ono no Komachi was a beautiful, intelligent woman and one of the most accomplished early court poets. As a young woman she was pursued by many suitors, most of whom she heartlessly rejected. In her old age she became destitute and wandered about the outskirts of Kyoto reflecting on the world and the vanity of life. In the Noh play Komachi and the Grave Marker (Sotoba komachi), the aged poetess sits down on a gravestone to rest. Two passing priests criticize her disrespect for the dead, but she refutes their doctrinal arguments: I too am a lowly buried timber But if at heart, I've still blossoms, Why should they not do for offerings? Surprised that this beggarlike woman should be so intelligent and well read, the priests inquire her name, but the poetess cannot answer them for shame at her present state. She falls into a reverie and recalls her youth when she was being courted by one of her many suitors; when the memory passes she becomes calm again. Yoshitoshi's Komachi is dignified and still intelligent, alert, and beautiful in her old age. Her robe with its patches of different rich brocades is like the costume the protagonist wears in the Noh play. Later she becomes possessed by the spirit of her unrequited lover Shii no Shosho, who pined to death for her, and she does a slow dance at the gravesite to his memory.
Type
image
Identifier
97.1.17.tif
http://ccdl.claremont.edu/cdm/ref/collection/cyw/id/384
Language
Japanese
Subject
Legends (folk tales)
Women
Kimonos
Elderly
Sandals
Grasses (plants)
Streams
Ukiyo-e
Print
Time Period
Meiji (Japan, 1869-1912)
Source
Wood-block Printing; Ink on Paper; 12 7/8 in. x 8 3/4 in. (327.03 mm x 222.25 mm)
Relation
Chikanobu and Yoshitoshi Woodblock Prints - https://ccdl.claremont.edu/digital/collection/cyw

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